Richard Boom sent me the high res pencils to his commissioned sketch by
after I offered to colour it for him. I then put out an all points journal for someone to ink it and a bunch of people stuck their hand up for that... At the end of the day though I got inks from
They were all equally good in overall quality and it was really hard to choose which one to go with but eventually I decided on Ken's because he added *just that little bit of extra* detail to the picture which was pretty sketchy when you looked at it closely enough. He effectively 'finished it off' IMO.
Then I had to put it on hold as I coloured a bunch of paid commission pieces, and I started to work on it as a 'warm down' from those pictures... And finally managed to finish it off last night.